Episode
Adopted By: Sherdran
<AKA> Eleiece Additional info provide by:
Brian Greene
Synopsis:
It's
the 70's and Sam is in the middle of disco, mood rings, and everything
he hates the most. His name is Chad and his new little brother will die
sometime soon but Ziggy is broken. He has tagged extra zeros onto
everyones paychecks, so employees of the project all went out on
vacation and Al can't help with details.
Chris,
Chad's younger brother, is an aspiring stuntman like his older brother
and father, but seems to have more of an aptitude for playing the
guitar and singing. Sam must prevent the death of Chris and help him on
his career path that may not satisfy their father's wishes.
TV
Guide Synopsis: Sam
boogies into 1976 as a sexy stuntman working on a disaster flick, but
he has to hustle to prevent his brother from attempting a
life-threatening stunt. Chris: Kris Kamm. Ray: Michael Greene. Shannon:
Kelli Williams. Director: Peter Onorati. Sam: Scott Bakula.
Sam
leaps in while on the dance floor of a disco. A hitman enters the club
and pulls a gun out, shooting Sam in the chest. Sam is flung backward
through a glass wall and lands on a safety pad. At that moment, a voice
yells "cut," and Sam realizes that he was not shot, but rather, flung
backward via cables attached to his body. His name is Chad Stone, a
stuntman working on the film set of a low-budget movie called "Disco
Inferno", along with his counterpart's younger brother, Chris (played
by Kris Kamm), and father, the stunt coordinator, Ray Stone (Michael
Greene).
Ray is annoyed that the safety pad was moved, endangering his son's
life, and blames Chris for the failure. Rick, the director (Peter
Onorati) tells them to move along so he can film the next scene. Still,
Ray is angered by Rick's indifference to safety procedures and
announces his resignation, bringing his two boys with him. Rick tells
Chris that the fire stunt on the film in two days is his big
opportunity and tries to get him to stay, but Chris defers to his
father's judgment and leaves.
While walking around the set, Sam meets Traci DeVine (Arnetia Walker),
a black music producer handling the film's soundtrack. Traci gives him
her business card and a mood ring, which reveals Sam's distress. Chris,
meanwhile, meets a young, attractive college girl named Shannon. Though
Chris tells her most girls normally go for his older brother, Shannon
says she isn't like most girls and instead holds a clear interest in
Chris.
Sam finds Al having fun on the dance floor, and the two talk about his
mission. Sam is mortified to have leaped into the seventies, a decade
he finds intolerable, while Al admits that the seventies were among the
best years of his life. Sam wants to accomplish his mission as soon as
possible so he can leap. Al tells him that Ziggy's computer systems
have crashed; however, he has one bit of data: Chris will die sometime
in the next two days, though the cause, time, and place of his death
are unknown.
While Sam is contemplating the notion of playing the role of big
brother to Chris, he suddenly remembers that he too, has a big brother
named Tom. But besides the name, Sam cannot remember anything else
about him. He asks Al for information, but Al reminds Sam that it is
against the rules for him to give Sam personal data concerning his own
life.
As Sam, Chris, and Ray leave the set, Chris is in a bad mood. His
father's decision to quit the film means he is denied the opportunity
to perform the upcoming fire stunt in the movie and thus earn his
stuntman's card. Ray suggests that Chris take Sam's upcoming movie
stunt on the "Earthquake" film Earthquake, scheduled for the following
day. However, Sam, aware of Chris' impending fate, says no.
Chris is angered with Sam and refuses to speak with him. Sam is
reminded that he, too, would get mad when he felt his older brother,
Tom, was bossing him around and realizes that it is simply one of the
responsibilities of being a big brother.
Sam overhears Chris playing guitar in his room and realizes he has
musical talent. Remembering how Tom convinced him to go to M.I.T to
pursue his talent in physics, Sam tells Chris that he should follow his
talents.
Shannon shows up at their home to see Chris. Chris asks Sam not to hit
on her, as is Chad's usual habit, and Sam agrees. The three are
watching Saturday Night Live, and during one sketch, Chevy Chase
imitates President Ford and his penchant for clumsiness. Shannon says
that if Ford falls over again, as he has before, he will lose the
Presidency. Sam talks to her about politics and the upcoming
Presidential election, and Chris becomes jealous of how he and Shannon
are bonding.
Sam spots Al on the balcony and leaves Chris and Shannon alone. Al
senses that Sam has a fondness for Chris. Sam tells Al that Chris
reminds him of himself and his relationship with Tom. Al says he still
does not have any data about Chris' death.
The next day, Sam is on the set of the movie, Earthquake about to
perform a stunt in which he must fall several stories from a building.
Sam is terrified and reluctant to go ahead with the stunt. One of the
female stunt performers arrives just as the scene commences and nudges
Sam over the edge while she jumps. Sam manages to cling to scaffolding
while the other actors in the movie pretend to reach for him. Sam loses
his grip and falls several stories onto a large safety mat.
Chris is jealous and angry that Sam got to perform the stunt, not him.
Sam tells him that he should pursue his talent in music instead. He has
contacted Tracey DeVine, who has gotten Chris a chance to play in front
of a large crowd at a downtown country music club. With Sam and Shannon
watching, Chris plays guitar and sings before the crowd. However, Ray
believes Chris was wasting his time pursuing music and goes to the bar
to get drunk. After Chris departs from the stage and goes to the bar to
seek his father's approval, the two end up arguing, and Chris punches
his father in the face. Upset and determined to win his father's
approval, Chris contacts Rick and tells him that he is available to
perform the fire stunt the following day.
Back home, Sam admits to Al that he is struggling with his task of
being Chris' big brother. He says he never appreciated Tom's efforts to
look out for him until it was too late. Suddenly, Sam has a haunted
feeling and remembers that Tom is dead. Al nods and tells him Tom died
in Vietnam.
The next day, Chris and Shannon arrive on the "Disco Inferno" movie
set. Shannon is concerned and tells Chris he should wait for his father
and brother to check out the stunt first. Chris responds that it is
what both of them would want him to do.
Meanwhile, Sam is worried, as Chris hasn't returned home since his
fight with their father. Sam forces Ray to admit that Chris has talent
in music. Ray concedes, but says he doesn't believe Chris should waste
his life away by pursuing it as a career. Sam contests that Chris's
life will be ruined if he is forced to become a stuntman. Ray realizes
that he became a stuntman only to prove to his father that he could do
it. Sam realizes that Chris may similarly seek to prove himself by
performing in the fire stunt, and the two race off to stop him.
Rick continues to disobey safety precautions and tells the crew they
aren't going to rehearse. He tells Chris that the stunt requires him to
jump over a balcony while a pot behind him explodes. However, after
yelling "action," the explosion becomes an inferno and engulfs the
entire balcony, including Chris. Sam and Ray arrive on the set, and Sam
sets out to search for Chris in the burning rubble. Al helps guide Sam
through the thick flames to find Chris, who is unconscious and pinned
underneath some wood. Sam frees him and rescues him to safety.
Chris regains consciousness and tells his father that he has now earned
his stuntman's card because of the stunt. As Chris is taken off by an
ambulance, Ray confronts Rick and punches him in the face for
incompetence, while Tracey comforts Sam, noting that his mood ring now
indicates he is in a good mood.
Back at their home, several days later, Chris is recuperating with a
cast on his leg and watching television with Shannon and Ray. Sam talks
to Al briefly in the kitchen, revealing that he sometimes feels a
little homesick and wishes he could leap home and return to his own
life. Al produces a photograph of Tom and Sam together to soften some
of his homesickness while Tom is dressed in his Navy Seals uniform
preparing to leave for Vietnam. Sam thanks Al for sharing it with him
and goes back to join the others to watch television.
Sam and Ray begin to discuss Chris's future, with Ray saying that Chris
will come and work with them as a stuntman now that he has his card,
while Sam suggests that Chris's future lies with his music. Ray
incredulously asks if Sam knows the future. Al tells Sam that President
Ford is about to trip down a flight of stairs on live television. Sam
announces that if Ford trips down the stairs, it proves he knows the
future and that Ray should get behind, encouraging Chris in music. Ray
agrees. Right on cue, Ford trips, and Sam gives Chris the thumbs-up
before leaping... Source
Personal
Review by Sherdran <AKA> Eleiece:
Besides the lesson of learning to not let anyone dictate to you how to
live your life and to believe in and follow your dreams, this was a fun
look back at the year I graduated from high school. And one more thing
---Sam, cover your ears, darlin' --- I like disco music!
Music:
"That's the Way I Like It" by K.C. & the Sunshine Band
"Kung Fu Fighting" by Carl Douglas
"The Hustle" by Van McCoy & The Soul City Symphony
"Wildfire" cover of the Michael Murphy song
"Out of Sight" an original song for the episode
Project
Trivia:
Ziggy, referred to as 'he' in this episode, is out of whack and needs
fixing; example of problem - according to Al:
"He tacked extra '0's on everyone's paycheck so half the staff rushed
out on vacation."
In a later scene when Sam asks about Ziggy, Al checks the handlink,
doing a double take as he replies, "He's... Japanese. ... He's spitting
out everything in Japanese.. Well, that's what you get for feeding him
those foreign computer chips."
Sam Trivia
In the opening scene when he becomes annoyed when Al's telling him he's
got to look after Chris like a big brother, it jogs Sam's memory and he
remembers he has a big brother (Tom), and tries to get information out
of Al, without success. Later in the apartment when he's looking at a
picture of Chad and Chris as little boys, he remembers that Tom played
basketball and was, "high school varsity. All-American Indiana State
championships in 1965...no, 1964." A few minutes later, in Chris' room,
he recalls how Tom talked him into following his
talents and convinced him to go to M.I.T. which eventually led to Sam
winning a Nobel Prize.
As
Sam's swiss-cheesed memory begins to fill in...he remembers
his older brother tom died in Vietnam. Al shares a photo of Tom and Sam
to ease the painful memory.
Sam's
Outfits
worn in this episode:
Scott had more costume changes than Dean did! In fact,
Dean had only three different costumes for the entire episode; Scott
had eight.
Sam's various costumes in order of appearance:
1 - (leap-in scene) - White polyester suit with wide lapels, patterned
shirt, gold neck chains and gold (high) platform shoes.
2 - (meets Traci Devore) - The white suit pants, a dark brown and white,
narrow-stripe patterned polyester shirt and a gold neck chain with
medallion. (Note, except for the safety vest and undershirt he had on
under the safety vest for the 'shooting' stunt, all the shirts were
long-sleeved). Traci also gives Sam her mood ring ("It's for getting in
touch with your feelings.")
3 - (talking by the truck with Chris and Ray, then getting in the car
with Chris) - Blue jeans, boots and jewelry, a variegated medium blue,
black and white stripped shirt (remember, he had to change it after
Chad's date from the night before threw a glass of water in his face),
off-white boots (I'm guessing probably snake skin), and a silver watch
on his left wrist.
4 - (next day on the set of 'Earthquake") - Dark brown pants, white
shirt (sleeves rolled up on his forearms) and a wide, blue w/white
polka-dot tie, and dark shoes, and an ill-fitting wig.
5 - (at the apartment after doing the fall) - Blue jeans, yet another
blue patterned shirt, brown leather vest and boots;
6 - (at the bar when Chris sings) - Blue jeans, blue denim shirt with
small flowers embroidered on the front above the pockets and on the
back, brown leather belt, boots, and a silver neck chain;
7 - (scene where he goes to Ray Stone looking for Chris) Blue jeans,
still another variegated blue shirt, this one a wide check pattern (the
wardrobe mistress/master must have had a fixation on blue in this
episode!), off-white/snakeskin boots, silver watch, and those cool
black sunglasses.
8 - (last scene - at the apartment watching the basketball game) -
Jeans, orange, dark blue, black and white patterned shirt, boots and a
silver neck chain.
Al
Trivia:
In this episode Al held a cigar three times:
Once in the leap-in scene,
next in the balcony scene at the apartment, and lastly in the rescue
scene at the studio.
Al also sneaks up on Sam twice: the first time in the apartment during
one of the times Sam is looking at the picture of Chad and Chris as
kids. The second time is in the kitchen scene when Sam opens the
refrigerator to get two more beers then is startled to see Al standing
in front of him on the other side of the open fridge door.
Al's
outfits
worn in this episode: 1 - (First scene - on the set,
dancing with the extras) - Medium dark
blue suit, white shirt, narrow white tie, lightning bolt pin on right
lapel, black-banded watch on left wrist.
2 - (next scene - on the
balcony at the apartment) - A white . "One
hundred percent virgin polyester" suit with wide lapels, a black, peach
& white large floral print shirt with a wide collar, a
thin-linked gold neck chain (I had to look very close to determine if
it was gold or silver). Though his feet aren't seen, I am assuming that
Al's shoes were also white. He also wears this suit in the explosion
scene at the studio; in this scene, Al also has some sort of small
leather bag (a purse? *g*) hanging on his right wrist.
3 - (last scene - in the
apartment during the basketball game) - Orange shirt with narrow a 'band'
neckline (no 'regular' collar), leopard-print suspenders (I believe he also
wore these in 'The Right Hand of God' in
the boxing ring scene), dark pants, a silver neck chain, and a
black-banded, gold-faced watch. Again, since his feet aren't seen, I'm
going to assume that, in keeping with his outfit, Al's shoes were
either dark (brown or black) or more likely some shade of
orange to match the shirt.
Al's Women: According
to Al, "The only thing that got me more
women was my space suit."
Miscellaneous
Trivia:
'Disco Inferno' is one of two episodes with a leap date of April 1st
(April Fool's Day). The other episode is 'M.I.A.', set on April 1, 1969.
"'IN'
things of the 1970s"
Disco Swinging singles
Est Hot tubs
Mantras Farah Fawcett
Mood rings* 8-track tapes
Edible underwear
*The colors of the
mood ring mean:
Jade green - ultra intense
Blue - ecstasy
Black - tense, disoriented, harassed
Reddish-brown - 'you need to chug some sangria' - at least according to
Traci Devore)
Brad Pitt
auditioned for this episode, but as Deborah Pratt explained in a panel
at The Leap Back 2009 Convention, he didn't want to be there.
Kiss With
History:
In the scene where Sam does the 'little fall' and
is hanging onto the beam, in the stock shot from the movie 'Earthquake'
of the group of people who come running to try and rescue him, Al gets
excited when he sees Lorne Greene/Ben Cartwright [of 'Bonanza'
fame].
Guest Stars:
Michael Greene as Ray Stone
Kris Kamm as Chris Stone
Peter Onorati as the obnoxious director
Arnetia Walker as Traci Devore
Kelli Williams as Shannon
Maureen Fletcher-Evans as Female Extra
Michelle Costello as Stuntwoman
Joe Farago as Cinematographer
Tobi Redlich as Dancer
Helena Buscema as Country Singer
Otto Coelho as Production Assistant
Kevin Light as
Chad Stone (Mirror image)
Michael Greene as Ray Stone: Michael
Greene was born on November 4, 1933 in San Francisco, California, USA.
He was an actor and writer, known for To Live and Die in L.A. (1985),
*batteries not included (1987) and Lord of the Flies (1990). He was
married to Patricia Donovan. He died on January 10, 2020 in Haiku,
Hawaii, USA.
Kris Kamm as Chris Stone: Kris
Kamm was born on November 29, 1964 in Evanston, Illinois, USA. He is an
actor and producer, known for Wyatt Earp (1994), Elvira: Mistress of
the Dark (1988) and World on Fire (2005). Actor Ronnie Scribner was the
first of three actors to be in the role of "Jeremiah" in the Kenny
Rogers' "The Gambler" TV movies. The second movie was after Ronnie had
halted his movie and acting career. The second actor in the role was
Charles Fields. Eventually, there were a total of five "The Gambler"
movies, but the role of "Jeremiah" was not used in all five movies. In
the fifth of five films, "Jeremiah" was played by an older actor to fit
the progress of the movie series, and that was actor Kris Kamm.
Peter Onorati as the obnoxious director: Peter Onorati was born and raised in Boonton, New Jersey. He attended college at Lycoming College, where he received his B.A. degree in Business Administration. He was an NCAA all-conference wide receiver, and signed up to play in the World Football League, which quickly collapsed. He then enrolled in Fairleigh Dickinson University, where he received an MBA. He worked for Ford Motor Company and McCall's magazines. He started in comedy, and left the business world for acting. He now lives in Los Angeles, appearing in both films and television shows. He is married to writer Jeanette Collins, and they have three sons.
Arnetia Walker as Traci Devore: Arnetia
began her career shortly after entering high school. Only 16 years old
she landed a part on Broadway in "The Sign In Sidney Brustein's
Window", starring Hal Linden. A few years after graduation she assumed
her best known stage role in Michael Bennett's hit musical,
"Dreamgirls". Arnetia holds the distinction of being the only actress
credited with portraying all three dreamgirls. This lead to television
guest-starring parts and her feature film breakout role as To-bel, in
Paul Bartel's offbeat comedy, "Scene's From The Class Struggle In
Beverly Hills. In 1991 television viewers were introduced to Arnetia
when she created the role of head nurse Annie Roland for the NBC hit
comedy "Nurses". True to her musical roots, Arnetia continues to sing
as well as write. She's just completed her first teleplay with her
husband and continues to act in film and television.
Kelli Williams as Shannon: Kelli
Williams was born in California on June 8, 1970. Though she had
appeared in commercials since she was a baby, she was discovered by her
agent at her high school play ("Romeo and Juliet"), in which she
starred as Juliet opposite General Hospital (1963)'s Steve Burton. In
the early 1990s, she appeared with Tony Danza and George C. Scott in
the stage production "Wrong Turn at Lungfish". There Goes My Baby
(1994) was her feature film debut, co-starring with ER (1994) doc Noah
Wyle, Dermot Mulroney (My Best Friend's Wedding (1997) and Copycat
(1995)) and Ricky Schroder (NYPD Blue (1993)). She has also done a long
list of TV movies, as well as guest appearances before and during her
run as Lindsay Dole Donnell on ABC's The Practice (1997). In the summer
of 2003, her critically acclaimed seven year stint on the show ended,
and she has since signed for guest spots on different series, and
filmed a made-for-TV movie, A Boyfriend for Christmas (2004) opposite
her real-life mother Shannon Wilcox and former TV-father-in-lawCharles Durning.
Maureen Fletcher-Evans as Female Extra: Maureen Fletcher Evans is known for Quantum Leap (1989) and Full Exposure: The Sex Tapes Scandal (1989).
Michelle Costello as Stuntwoman: Michelle
Janine Costello is a SAG actress, professional dancer & athlete.
Michelle grew up north of Boston, where she started dancing at the age
of 3! She knew that she wanted to pursue a career in the entertainment
industry ever since her first on stage- tutu experience. After
graduating a year early and receiving her BFA in Dance, she moved to
L.A, and then found love with acting. Michelle follows her "Meraki"
mantra, where she believes in doing everything with creativity, love
and passion; when you put all of yourself into what you do, whatever
that may be. Her passion and positive outlook on life has definitely
helped her to not only advance within her career, but create a positive
mindset to continue climbing up the ladder of the industry w/ all of
her interests.
Joe Farago as Cinematographer: Joe Farago is known for The Terminator (1984), The Abyss (1989) and Star Trek VI: The Undiscovered Country (1991).
Otto Coelho as Production Assistant: Otto Coelho is known for Live Shot (1995), Quantum Leap (1989) and My Life and Times (1991).
Kevin Light as
Chad Stone (Mirror image): Kevin
Light, born and raised in Woodstock, NY, has lived on the West Coast
for the last twenty years. After a brief stint in the US Airforce
Academy in Colorado, he landed in Gainesville Florida where he received
his BS in Electrical Engineering. Postgraduate employment with Hughes
Aircraft brought him out to California and he enrolled in graduate
school in Electrical Engineering at USC. It seemed his future was laid
out, but despite promotions at Hughes, he felt a still, quiet voice
within demanding expression. He wanted to be an actor. A fortunate turn
of events landed him in a classroom with the legendary Sanford Meisner,
one of the founding members of the Group Theater, and an exacting but
effective teacher. Various roles in television and film followed for
Kevin. Even though he loved acting, Kevin experienced something in yoga
that was so compelling, he took a detour to study and eventually teach
the ancient discipline of body and mind. A Lover of the arts,
architecture, yoga, and eastern spirituality as well as all forms of
creative expression, he has found his journey back into acting greatly
enriched by the years of yoga. Kevin is the creatorof the Bhakti Ware yoga clothing company.
Guests
Who Appeared In Other episodes:
Otto Coelho
(Production Assistant) was also in "All
Americans."
In the beginning of the set scene where Chris gets injured, the
'gofer' --tall guy with long sideburns and wearing a blue shirt - also
had a role in the 'All Americans' episode. He was the football player
in the victory scene on the football field who slammed Sam on the
shoulders knocking him down while yelling "ROAAAR JAGUARS!"
Say What?
Sam appears
on the set of Earthquake with the footage of Sam spliced together
alongside actual footage from the film. However, this sequence
represents a problem: the film was released in 1974, while the episode
was set in 1976. Source
This episode took
place on April 1, 1976; however, in the later scene where Sam and his
"brother" Chris are watching an episode of Saturday Night Live, Chris
says the show is live. This episode of Saturday Night Live, including
the Coneheads on Family Feud sketch, didn't air until January 21, 1978.
In addition, the President Ford clip afterward is from an entirely
different episode. Source
"That’s
the Way I Like It" was released two months after the setting for this
episode. "The Hustle" was released two weeks after. Also, The Village
People (Sam finds an 8-track tape) released their first album a year
after the setting of this episode.
The leapee in the mirror fixes his hair with his right hand, while Sam does it with his left hand.
A woman is seen falling from the skyscraper before Sam falls. When Sam
falls, he breaks through the glass roof onto a safety pillow. The other
woman must be dead from her fall, by all accounts!
Quotable Quotes:
Sam, wake up
and smell the seventies, you're looking at genuine 100% high grade
virgin polyester - the only thing that got me more women was my
spacesuit.
-- Al, "Disco Inferno"
Sam, it's Ben Cartwright! Ben Cartwright is trying to save
you!
-- Al, "Disco Inferno"
This is worse than anything imaginable.
-- Sam, "Disco Inferno"
The 'Me' decade, where everybody had the morality of two dogs in the
park.
-- Sam, "Disco Inferno"
You owned a man-bag?
Yea, my pants were always too tight to carry a wallet.
-- Sam and Al, "Disco Inferno"
He's spitting out everything in Japanese. That's what you get for
feeding him foreign microchips.
-- Al about Ziggy, "Disco Inferno"
Disco? . . . I'd rather be dead!
-- Sam, "Disco Inferno"
Sam's
best line:
"The 'me' decade, where everybody had the morality of two dogs in the
park."
Al's
best
lines:
(On the balcony on the set with Sam during the first scene):
".with lights, camera..plenty of action." ;
(On the balcony at the apartment, describing/defending his suit): "Sam,
wake up and smell the 70s! You're looking at genuine one-hundred
percent, high-grade, virgin polyester. The only thing that got me more
women was my space suit."
But by far and away, IMHO, Al's very best lines are in the apartment
scene when Sam remembers Tom is dead and asks Al to confirm his memory:
"Yeah. He was killed in Vietnam. That was one part of your
Swiss-cheesed memory was hoping you wouldn't get back."
Best
lines between Sam and another character:
(The bar room scene just after Chris punched his father):
Ray Stone: "Whoa. The boy do know how to punch, doesn't he? Lucky for
him that you was holding me."
Sam: Lucky for you he only threw one."
Best scene:
Between Sam and Al when Sam suddenly remembers his brother, Tom, is
dead, and Al finally, somberly admits that he's right:
Sam (hesitantly) "Tom's.dead, isn't he?" .. "Al."
Al (somberly): "Yeah. He was killed in Vietnam." -- a pause-"That's one
part of your Swiss-cheesed memory was hoping you wouldn't get back."
Production Credits:
Music by: Mike Post Supervising Producers: Deborah Pratt, Paul M. Belous, Robert Wolterstorff Co-producers: Paul Brown, Jeff Gourson, Chris Ruppenthal Produced by: Harker Wade Created by: Donald P. Bellisario Written by:Paul Brown Directed by: Gilbert Shilton
Executive Producer: Donald P. Bellisario Associate Producer:David Bellisario Director of Photography: Michael Watkins Production Designer: Cameron Birnie Edited by: Alan Shefland Unit Production Manager: Ron Grow First Assistant Director: Paul Sirmons Second Assistant Director: Rob Mendel Casting by: Ellen Lubin Sanitsky Set Director: Robert L. Zilliox Costume Designer: Jean-Pierre Dorleac Costume Supervisors: David Rawley & Donna Roberts-Orme Sound Mixer: Mark Hopkins McNabb Stunt Coordinator: Diamond Farnsworth
Watch this panel featuring Diamond Farnsworth from The Leap Back 2009 Convention:
Sound Editor: Paul Clay Music Editor: Tom Gleason
"Saturday Night Live" and news footage courtesy of The National Broadcasting Company
Panaflex ® Camera and Lenses by: Panavision ®
This
motion picture is protected under laws of the United States and other
countries. Unauthorized duplication, distribution or exhibition may
result in civil liability and criminal prosecution.
The
characters and events depicted in this photoplay are fictitious. Any
similarity to actual persons living or dead is purely coincidental.
Bellisarius Productions and Universal, an MCA Company
Script:
Podcasts:
Quantum Leap Podcast
In
the tenth installment of The Quantum Leap Podcast, Albie and Heather
discuss Season two episode two “Disco Inferno”. There’s first
impressions, an episode recap, thoughts and opinions, an essay by Nikki
Johnson, listener feedback, episode trivia and a supersized blooper
reel.
Let
us know what you think… Leave us a voicemail by calling (707)847-6682
and Send in your thoughts, theories and feedback, Send MP3s & Email
to quantumleappodcast@gmail.com. Also join us on
Facebook.com/QuantumLeapPodcast and Twitter.com/QuantumLeapPod
Quantum Leap Podcast: Revisiting Disco Inferno
Get on your boogie shoes, because it’s time for Disco Inferno!
Shake your booties with hosts Allison Pregler, Matt Dale, and
Christopher DeFilippis as they take the dance floor and talk about
Sam’s Leap as a swinging 70’s stuntman who has to save his little
brother from a fatal accident.
We are also proud to bring you an encore interview with Quantum Leap
stunt coordinator Diamond Farnsworth. Albie speaks to Diamond about his
daring career, stunt-doubling for Scott in Quantum Leap and beyond, and
how they pulled off the stunts for this very episode!
Tell us what you think! Leave us a voicemail by calling (707) 847-6682. Send feedback and MP3s to quantumleappodcast@gmail.com. Follow us on Facebook and Twitter. Or drop us a line at Quantum Leap Podcast, P.O. Box 542, Bayport, NY 11705.
