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5x08 "For
Your
Love" Trilogy Part II |
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Episode
Adopted by: M.J. Cogburn |
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Teaser: In the second of a three-part saga, Sam again leaps into the life of Abagail Fuller...this time as her soon-to-be husband Will Kinman. Sam begins to fall for her himself, but a lynch mob led by Lita Aider may hang her if Sam doesn't find the runaway child Abagail was babysitting. |
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Sound file from this episode: Al: It looks like you're gonna have |
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Episode Menu |
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TV Guide Synopsis Place Leap Date Name of the Person Leaped Into Broadcast Date Synopsis & Review Music Sam Trivia Al's Outfits Worn in the Episode Miscellaneous Trivia Guest Stars Guest Cast Notes Guests who appeared in other Quantum Leap episodes Say What? Quotable Quotes Best Scenes Awards Production Credits Podcasts |
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Production # 68112 | ||
TV Guide
Teaser: |
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Place: Potterville, Louisiana |
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Leap
Date: June 14, 1966 |
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Leapee: |
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Broadcast Date: November 24, 1992 - Tuesday |
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Last
Week On Quantum Leap: |
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When
Sam leaps into a bed, a brunette suddenly kisses him. She is wearing a
cross necklace and nothing else. The music that’s playing is
Unchained Melody by the Everly Brothers.
We see Sam pulling Bart Aider out of the water where he had been found. BO LOMAN: That must have scared the hell out of Abagail coming up on a dead man like that. MARIE: Abagail Fuller, you told me he was dead when you come on him. WILL KINMAN: You stay away from her, you hear me? LETA AIDER: She watched him die! SAM: Wanting someone dead and killing them are two different things. You didn’t kill anyone, Abigail. ABIGAIL: I wished Mr. Aider dead, too. SAM: Did you hit Mr. Aider? ABIGAIL: I don’t want to talk about it anymore. SAM: Unless you tell me what happened, I can’t help you. ABIGAIL: I didn’t kill them. I didn’t kill either of them! SAM: Al, do you think that Abigail, a little girl like Abigail, could be capable of murder? LETA AIDER: It was you who killed her, Abigail! ABIGAIL: I DIDN’T KILL HER! (She picks up a vase of flowers and hits Leta over the head with it and tries to run away – gets to a door, then screams bloody murder when Leta grabs her.) AL: Don’t come back this way. She’s coming up the stairs – hurry up – find a place to hide. Hurry! Hurry! Hurry! We see Leta coming up the stairs with the lantern in her hands. AL: Good good, that’s a good place to hide. Now, don’t make a peep, Abigail – not a peep! SAM: Abigail! Sam comes busting through the door. AL: Sam! She’s hiding! She’s upstairs in the cabinet, and Leta is right next to her. LETA AIDER: No, no! Get away! I’ll kill you. I’ll kill you all. The lantern drops, and a fire immediately starts from the fuel. AL: Hurry up, Sam! Hurry up. She’s in this thing right here, Sam! Abigail, he’s coming! ABIGAIL: Daddy! (She’s banging on the cabinet door trying to get out) SAM: I’M COMING! ABIGAIL: DADDY! SAM: HANG ON! HANG ON! (He rushes through the fire with a blanket around him) We see Sam break the window. AL: HURRY UP! COME ON, SAM! PUT HER OUT THERE ON THE ROOF! HURRY UP! SHE’LL BE OKAY THERE ON THE ROOF! ABIGAIL: DADDY! HELP MY DADDY! WILL KINMAN: HE’LL BE RIGHT BEHIND US. HE’LL BE OKAY, ABIGAIL! AL: SAM! LOOK OUT! Sam ducks down and then leaps as the beam and fire fall on him. PART ONE – June 14, 1966. SAM: B-b-better go. ABIGAIL: Only because after tomorrow, you’re going to belong to me forever. Promise me, Will. Promise me you’ll be mine forever. SAM: I – I promise Will Kinman will never leave you. Abigail (who is played by Melora Harden) kisses his cheek lovingly. MARIE: You’ve got thirty seconds! Sam is hurrying to stand up and get dressed. ABIGAIL: After tomorrow, there’s not anybody who can keep us apart. Sam approaches Abigail and gently touches her face, looking at her lovingly. MARIE: (She opens the door and walks in.) I said, "Out!" Just take your skinny pale behind out of here before I call your momma and tell her what you’ve been up to. (She pushes Sam toward the door.) Come on. Just get out. Get out. Get! Get! Get out of here! (She shuts the door on Sam.) ABIGAIL: (She giggles, then quickly stands up and rushes to the window to look out.) I LOVE YOU, WILL KINMAN! MARIE: Will you close this window? (She slams the window shut.) Do you want this whole town to know what a wicked child you are? ABIGAIL: I’m not wicked, and I’m not a child. Tomorrow, I’m going to be Mrs. Willis Gunnerson Kinman—Deputy Willis Gunnerson Kinman’s brand new wife. I won’t have to be alone anymore, Marie. Not ever. (They both slightly laugh, and Abigail kisses Marie’s cheek.) MARIE: Oh, you go to bed and get some sleep. Abigail happily falls on the bed. Sam is now outside, walking down the street. He’s dressed in blue jeans, a white shirt underneath, and a maroon short-sleeved shirt over it. SAM: I came back here. M-Marie and A-Abigail. (He pauses.) Abigail a-all grown up. And the house. The house that was on fire. I-I changed history. She’s alive. She’s alive. Abigail… is alive. There was – there was… a fire… and a window… and she got out… and I didn’t. (He pauses again.) I’m alive. I’m alive, and I’m back here as W-Will Kinman. Why? Why am I back here? It doesn’t make any sense at all. Al shows up typing on the handlink. He’s dressed in black trousers, a purple shirt with a bolo tie, and a dark purple and black jacket. He’s holding a cigar. AL: What doesn’t make any sense at all? To whom are you talking? People are going to think you are coo-coo walking around like this. SAM: He’s dead. AL: He’s dead? SAM: Clayton Fuller’s dead. AL: Yeah. SAM: I leaped in. He died. And I leaped into… AL: Into… SAM: Uh… into… (Sam covers his mouth as he thinks about where he was just a few moments ago) AL: You leaped into…. SAM: I leaped into… Do you r-realize where I l-leaped into? AL: Yeah… Potters… SAM: No, that’s not what I m-meant. AL: You’re stuttering. SAM: Yeah, well, I think it’s a little r-residual from Will. (He sighs) She’s incredible, Al. Her eyes, and her face, and her hair – the way it smells and her skin… AL: Okay. Whoa, cowboy. I know you leaped into here… SAM: Ohh, boy! AL: … under intimate circumstances, but you gotta be careful. SAM: Careful? AL: Well, listen to yourself. It’s Will who’s in love with Abigail – not Sam. SAM: I know that… I know. (pause) She’s so beautiful, Al. AL: Okay, okay. It’s June 14, 1966, and you’ve leaped back into Pottersville, Louisiana, and that’s all we’ve got right now. SAM: It’s eleven years later. Abigail’s twenty-one. AL: That’s right. Will is twenty-seven. SAM: I feel like I’m twenty-seven. I f-feel like I’m seventeen. I’m getting married tomorrow. AL: No, Will is getting married… SAM: Will is getting married tomorrow. AL: I gotta get you outta here. SAM: I belong here. AL: You’ve got me worried big time. SAM: What are you worried about? AL: All right, Gooshie, let’s get to work on this. Sam, do me a favor. SAM: What? AL: Stay away from Abigail. (Al pulls up the Imaging Chamber door and steps through the threshold) Okay? SAM: Okay. The next day: SAM NARRATING: It had been eleven years, and Abigail had grown from a frightened child to a glorious young woman. Al’s request to stay away from her was as absurd as asking the sun not to rise on their wedding day. SAM: I k-know you’re going to be here, Al. Question is, how close to the wire are you going to p-put me. The door opens, and Abigail enters the room where Sam had been looking into a mirror to see Will Kinman (played by Travis Fine). She rushes into Sam’s arms. ABIGAIL: I know it’s bad luck for the groom to see the bride before the wedding, but I don’t believe in anything bad ever happening to us. Ever. (She kisses Sam gently, then steps back toward the door.) Do you like it? Do you really really like it? (She motions toward the veil and the dress) SAM: You look more b-b-beautiful every time I see you. ABIGAIL: I hope you’re still saying that when I’m eighty years old and putting my teeth in your glass. SAM: I’ll say it every day I’m allowed to l-look at you. The door opens, and Marie steps into the room to see the two of them. MARIE: Close your eyes. Sam turns to get in front of Abigail. Abigail seems to be hanging off of him. MARIE: Don’t you know it’s bad luck for the groom to see the bride before the wedding? ABIGAIL: I don’t believe in bad luck, and neither does Will. MARIE: Well, you should. Ain’t so good coming from the things you’ve been doing lately. There’s a knock at the door, and Bo Loman (played by Stephen Lee) walks in. BO LOMAN: Will, I need to talk to you for a minute. It looks like there’s some trouble brewing outside. (He pauses to look at Abigail.) Abigail. Sorry, I didn’t know you were in here. MARIE: She’s not. She was just leaving cause it’s back luck for the groom to see the bride. ABIGAIL: All right, all right, I’m going. I don’t want any trouble touching Will on our wedding day. BO LOMAN: Yeah, well, to tell you the truth, Abigail, I think you better stay right here because… Al comes in through the Imaging Chamber door as Bo Loman is speaking. He is now dressed in a scarlet red suit, shirt and tie. AL: We’ve got trouble, Sam. BO LOMAN: It’s concerning you, I’m afraid. SAM: What’s the p-problem? AL: It looks like you’re going to have a witch hunt on your hands. BO LOMAN: Well, it seems that Don Taiken’s boy has disappeared. MARIE: Oh Lord. ABIGAIL: Disappeared? What do you mean? SAM: What’s this g-got to do with Abigail? BO LOMAN: Well, according to Mrs. Takins, Abigail was the last person to see her son. ABIGAIL: I was there, but I wasn’t the last one to see him. SAM: She was with me last night. AL: Sam. Watch it. It’s 1966 – you know, a small southern town. SAM: She w-was with m-me last night. MARIE: Until midnight, and then he went home. BO LOMAN: Abigail, did you sit the Taken’s boy last night? ABIGAIL: Yes, but I left at nine-thirty. Mr. and Mrs. Takins came home, they paid me, and then I left. BO LOMAN: Where was Pervis? ABIGAIL: I… well… he got upset and went up to his room about eight forty-five. SAM: Why was he upset? ABIGAIL: He was jealous. He didn’t want me to marry you. He’s seven years old, for heaven’s sake. I tried to explain to him that we’re grown-ups and that we were in love, but he just got upset and ran off to his room – wouldn’t come out. AL: He must have run away or something, and everybody is blaming Abigail. Ziggy says that you’re here to control things until they can find the kid. SAM: We – we find him. AL: Yes. BO LOMAN: We haven’t found him yet. So, I suggest that the two of you get across the street and go talk with Mr. and Mrs. Takins. ABIGAIL: I’ve got a whole church full of people out there. BO LOMAN: Abigail, half of those people are outside of my office waiting on what to do to find that boy. So, I suggest you put your personal life on the shelf, and we’ll figure this thing out. AL: Sam, I think you better make an announcement to those people because this is going to take some time. SAM: I… I b-better go tell a-all the p-people… ABIGAIL: No, no, no, I’ll do it. I’ll do it. I want everyone to know that I have not done anything wrong. BO LOMAN: Well, you do that, and then the two of you get across the street, all right? (He leaves) MARIE: Honey, you better start believing in bad luck cause it sure does believe in you. (Marie then leaves) ABIGAIL: (Abigail clings to Sam) This can’t be happening! Not today. SAM: Everything’s going to be just fine. ABIGAIL: We’re going to find him, aren’t we? I mean - I’d die if something happened to that little boy. SAM: We’re g-going to f-find him. And then, we’re going to get m-married as soon as you can say…. J-jackrabbit. Okay? Now, I promise. (They kiss) Get going. ABIGAIL: I’ll see you in the front. Okay? (They kiss again) SAM: Ok. (Sam closes the door.) Al, what happens? AL: Well, the whole town is after her, Sam. We don’t have much because of the ’71 flood, but according to a letter that Will wrote to the New Orleans Gazette, Will said that they turned into a crazed mob when they couldn’t find this kid, Pervis, and tomorrow night, they try to hang Abigail. SAM: What – what do you mean, they try? AL: Well, in the frenzy, she got shot in the back. PART TWO We see many people standing outside the Sheriff’s office. Some are dressed nicely, while others are in overalls. Mrs. Takins (played by Wendy Robie) and Mr. Takins (played by Christopher Curry) are in the Sheriff’s office telling what happened that night. MRS. TAKINS: There’s no reason for a boy to react to a woman that way. BO LOMAN: All right, all right, Mrs. Takins, just tell us what happened. MRS. TAKINS: When I went to his room, he was crying. I tried to talk to him, but he wouldn’t; he just cried. I held him until he cried himself to sleep. ABIGAIL: All I told him was that I wasn’t going to be able to sit for him for a while because I was going on my honeymoon. He pitched a fit and broke that little teapot. MR. TAKINS: We all knew that Pervis had a crush on Abigail. We figured it was a seven-year-old’s fascination for a pretty girl. ABIGAIL: I told him I was coming back, but he wouldn’t listen. MRS. TAKINS: Pervis once told me you were his only friend. Now, why would a child say that? ABIGAIL: Pervis didn’t have any friends. MRS. TAKINS: Pervis has plenty of friends. ABIGAIL: The kids used to tease him because you owned the funeral parlor. They said he smelled like dead people. MRS. TAKINS: That’s a lie! SAM: Kids can be pretty c-c-cruel at that age. ABIGAIL: He used to tell you he had lots of friends, but he didn’t. MRS. TAKINS: Are you saying that my boy lied to me? ABIGAIL: I’m saying he was a lonely little boy who needed a friend. MRS. TAKINS: If you know so much about my son, then why don’t you tell me where he is? ABIGAIL: Maybe if you spent a little more time with Pervis, he wouldn’t have to run away. BO LOMAN: Abigail. MRS. TAKINS: I am a working mother; my daddy didn’t leave me an insurance policy to waste away on my every whim! ABIGAIL: You didn’t have a daddy! BO LOMAN: All right. All right. SAM: Please. Please. ABIGAIL: All I’m saying is that she needs to learn a little about being a mother. SAM: This isn’t the time. MRS. TAKINS: Why don’t you have your own children and stay away from mine! Or are you afraid that they’ll be as crazy as you and your momma? SAM: All right, now. Wait wait wait… None of this is going to help to f-find Pervis. If we can all just calm down okay? We’ll figure out… ABIGAIL: I will not have her talk to me like that. SAM: Abigail, sit… down. BO LOMAN: Look, this isn’t getting us anywhere. SAM: (motions to Mrs. Takins to sit) Now, when did you… r-realize that Pervis was gone? MR. TAKINS: Not until he didn’t come down for breakfast. BO LOMAN: And you called all of his friends? MR. TAKINS: Abigail’s right. Pervis didn’t have no friends. SAM: Did you search the house? You know, sometimes… BO LOMAN: Will? Will, Will… I swear to God… I’ve never seen you so take charge in all of my days. Will’s right, if the child’s feelings are hurt… MRS. TAKINS: We’ve searched the house. What are we going to do to find my boy, Sheriff? BO LOMAN: What was Pervis wearing the last time anyone saw him? MRS. TAKINS: He was in his pajamas. SAM: M-maybe you should go back home and see if any of his f-f-favorite clothes are gone. You know, like a… like a… jacket or a pair of j-jeans. MRS. TAKINS: Pervis wasn’t like that. He didn’t have favorites… ABIGAIL: He loved that red Gabardine jacket I brought him from New Orleans. MRS. TAKINS: That’s too small, and I threw it away. MR. TAKINS: He had me pull it out of the trash. He kept it under his toy chest. MRS. TAKINS: Well, I’ll go home and check right now. (She stands up then pauses to look at Abigail) If anything happens to my boy… (she leaves) BO LOMAN: All right, and I’ll organize the search parties out front. Mr. Takins, why don’t you come with me? ABIGAIL: What about my wedding? BO LOMAN: You’re wedding? You can get married any day of your life, missy. Right now, I want you to stop thinking about yourself and start worrying about that little boy. (He looks at Sam.) You coming? SAM: Yeah, just give me a… m-moment. BO LOMAN: All right. (He then leaves with Mr. Takins) ABIGAIL: It’s happening again. SAM: No, it’s not happening again. ABIGAIL: Yes, it is. It’s Violet all over again. I saw how those people looked at me. I’ve seen it before, Will. Sam sees Leta Aider (played by Mary Gordon Murray) standing outside the window, talking with Bo Loman. He flashes back to her standing in the house with the flames around her. ABIGAIL: Will. What is it? SAM: N-nobody’s blaming you, Abigail. ABIGAIL: What is it, Will? SAM: That woman. She’s the one who started the fire. ABIGAIL: Will, let’s not start this up again, please. SAM: She tried to kill you. ABIGAIL: It doesn’t matter anymore. SAM: But it does. It does… m-matter. ABIGAIL: You and I matter. We almost made it. SAM: We will make it. We will find that little Takin’s boy and we’ll have a b-beautiful wedding. (They kiss.) ABIGAIL: Will, can I tell you something wonderful? SAM: I like w-wonderful. ABIGAIL: Last night, when we made love… at first, I thought this isn’t right. I thought maybe… maybe all these years that I’d been wrong about you and I, but then something happened. SAM: What happened? ABIGAIL: I know it was our first time and everything, but when we started, everything just seemed so… so wrong… and then… all of a sudden you were… you were different. SAM: You’re i-imagining things. I’m sure it was… ABIGAIL: It was wonderful. It was like in a magic flash, we just - we fit, Will. Our bodies were made to be together. It was as if we were meant to be in each other's arms for all time. I know you like I’ve ever known anyone in my whole life, and I love you. I love you. (They kiss again.) BO LOMAN: Will Kinman, get out here! SAM: Why don’t you c-call the church and tell the r-reverend that we won’t make it t-today. We won’t make it today. ABIGAIL: Ok. Will… come to me tonight no matter what time. I’ll wait for you. AL: She knows. SAM: She doesn’t k-k-know anything. She doesn’t… AL: I just heard what she said. She felt it the minute you leaped in, and she knows it wasn’t just Will that she was with last night. SAM: Al, just tell me what h-happened to the Takin’s boy. AL: He gets found tomorrow at eleven o’clock. SAM: That’s great! AL: Great? Abigail still gets killed tonight. It’s not so great. SAM: But I’ll just tell the people… w-where he is… and… AL: No, no, you can’t do that because we don’t know where he is right now. We only know where he is when he gets found. We still don’t know when that is. Sam: Do you remember… Leta Aider… the woman who started the fire that I almost died in? I just saw her outside. AL: You did? SAM: And Abigail said that they didn’t believe her. Look, I want you to go back to the W-Waiting Room and ask Will if he can r-remember anything that happened on that n-night. AL: Ok. He’s not one of the clearest people we’ve ever had in the Waiting Room. SAM: Just ask Z-Ziggy to find out what happened to L-Leta Aider. AL: Okay. PART THREE SAM NARRATING: The search for Pervis went on for hours, and even though Al and Ziggy said that he would be found, I knew I had to keep looking. Not because I didn’t believe them, but because if I went back it would be to Abigail. LARRY STANTON (played by W. K. Stratton): I sure do hope that we find this boy. The last thing in the world I need is for my Cheryl Lynn to gossip about your Abigail anymore. BO LOMAN: Hey Stanton, why don’t you and Will go take the LeBeau farm? LARRY STANTON: All right, all right. I’ll get it. Let me stop up here and get something to drink first, then I’ll head over that way. LETA: Here you go. LARRY STANTON: Thank you. SAM: (Leta hands him some water.) Thank you. LETA: Should be grateful, Will. SAM: Why should I be grateful, Mrs. Aider? LETA: They say things happen for a reason. SAM: What are you t-talking about? LETA: The wedding. SAM: My wedding got n-nothing to do with you. LETA: It’s in her blood, Will. Like her momma and her momma’s momma. You know that just as well as everybody else in Potter Parish. SAM: What happened with Abigail's g-grandmother has n-nothing to do with Abigail. LETA: She's cursed, Will. Her own mother knew it. It drove her insane. SAM: You don’t know what happened to Laura Fuller any more than I do. LETA: I know she was crazy. I know they locked her away. Most of all, I know the whole Lanchette family was cursed. They bore one every generation. First Teresa, then Rhetta, now Abigail. She can’t help what’s in her blood, Will, but you can. SAM: I don’t believe in curses. LETA: Tell that to my husband and my little girl. SAM: Your daughter, Violet, was killed by a pack of wild dogs and your husband, Bart, had a heart attack. Now, you c-can’t bring them back, but n-neither can blaming Abigail. It’s all in the p-past. LETA: Pervis Takins ain't the past. He's the present. And you are gonna have to live with the future. And you know what that future is? A lifetime of sleepless nights watchin', waitin', fearin' for your life and the life of your children. Well, none of that matters now anyway. What matters is the truth. And the truth is, Laura's daughter killed my daughter. That's why she was there. She should've been locked away. SAM: Abigail's not gonna be l-locked away. LETA: No, this time she'll go to the electric chair for killing that little boy. SAM: But he's not d-dead. He's hungry and he's f-frightened, but he's not dead. LETA: Wild dogs sound hungry today, don't they? Maybe you should go find that little boy's body. That's what you'll have to live with. SAM: And how do you live with it? LETA: Abigail Fuller is not my cross to bear. SAM: No. But the m-murder of Clayton Fuller is. LETA: I didn't kill Clayton Fuller. SAM: You set the f-fire that k-killed him. You know that, and I know that. LETA: I'm a bitter woman who's lost everything that's dear to me, but I did not set that fire. Ask Laura Fuller. PART FOUR SAM NARRATING: I had gone to see Laura Fuller before looking for answers. She had said nothing. Now, 11 years later I had come back, hoping for something. A glimmer of the truth. Was Leta right? Was Laura there that night? Had she come to save her Abigail? Laura Fuller is laying in a bed, she’s all wrapped in white. LAURA FULLER (played by Meg Foster) Is Abigail with you? She hasn't come to see me lately, you know? SAM: Well, she was supposed to get m-married today. You remember? LAURA FULLER: Ask her to bring me some flowers. I love it when she brings me flowers. SAM: Okay. I need you to remember something for m-me. AL: Careful, Sam. SAM: I need you to remember what happened that n-night. LAURA FULLER: (She’s humming Hush Little Baby) They all died. SAM: Died? AL: She must know Clayton died. LAURA FULLER: Cassy, Taylor, Sadie and Bobby and Marylou and Jessie. All of them. AL: That's her brothers and sisters. SAM: What happened to them? LAURA FULLER: And Mama did it. But it wasn't her fault. She gets so sad. Daddy went away and then the rain came and then she cried, and she cried. SAM: What did your m-mother do? Did she hurt th-the children? LAURA FULLER: Just there wasn't enough food. And Jessie- He was so little, and he was so hungry. AL: God, she must've seen it all. LAURA FULLER: Rained all night. I love the rain. I used to sleep with Sadie and Marylou and I'd always fall in the crack and roll under the bed. SAM: That's how your m-mother missed you. LAURA FULLER: I thought that it was raindrops that I was feelin', fallin' on my hand. You tell Abigail. You tell her that that's why I couldn't come home. Clayton said that I'm gonna hurt her. You're gonna keep her safe. Now. That's what you came back for, isn't it? SAM: What do you mean, why I "came back"? AL: She knows you're not Will. SAM: How do you know that I'm… LAURA FULLER: She really needs you. (She begins to hum Hush Little Baby once again) SAM: Laura. L-Laura? AL: Sam. Sam, she's right. You've got to get back to town and set up a guard at Abigail's front door. SAM: I, uh- I c-can't do that, Al. AL: You can't? What do you mean you can't? They're gonna lynch her. SAM: Why do you t-think I'm r-really here? AL: Oh, Sam, you're here to keep Abigail from getting killed. It's a leap like any other leap. SAM: B- But what if there's more? I mean, what if that's n-not it? What if there's- I'm in trouble, Al. AL: What trouble? SAM: I don't know what to do, I- I want her. I want her so bad, it's killing me. I can't think about anything else except h-holding her and-and touching her and tasting her and smelling her. I feel like she belongs to me. And that's all that m-matters. AL: What matters is that you are Sam Beckett. That's the reason that you got this crazy job. SAM: It's not fair. AL: All right! It's not fair. It's not fair! Life isn't fair. Who ever said it was fair? SAM: Oh, don't s-stand there and tell me that life isn't fair, Al. AL: You're here to save Abigail. You saved her once before. You've got to do it again. That's it! SAM: W - Why me? AL: Because you're a hero. SAM: Even heroes are human. LAURA FULLER: Continues to hum Hush Little Baby. PART FIVE We see Sam walking through the woods, then he begins running and runs all the way through town to reach Abigail. He races into the house, calling her name. SAM: Abigail?! Abigail? ABIGAIL FULLER: (she races down the stairs) Will? SAM: Abigail. (He rushes up the stairs and into her arms. He picks her up and carries her to bed.) A mob comes into Abigail’s room and wakes them. A MALE VOCAL: Get up off that bed, boy. Get up! Get up outta there! ABIGAIL: Will! Will! Will! Sam tries to fight but someone comes in with a rifle and hits him on top of the head. ANOTHER MALE VOCAL: Cover yourself. LETA AIDER: Now let's see- let's see if Satan can save you now! The Imaging Chamber door opens and Al appears. AL: Sam, get up! Get up, Sam! They’ve taken Abigail and they’re gonna hang her! Sam, you gotta get up. You’ve changed history. Will was here last time, and they didn't hang her. But he isn't here now, and neither are you- especially if you don't get up! Those yo-yo's are gonna lynch her! LETA AIDER: How many more have to die before we see justice? CROWD: Yeah. AL: Gooshie, what's going on? How much time has she got? Twelve minutes! Damn it! It's my fault. I should have stayed. How long before Sam comes around? Ah, that could be too late. Gooshie, center me on Abigail, and figure out a way to find that kid! MRS. TAKINS: You murdered my son! ABIGAIL FULLER: I did not kill anyone! Why would I kill Pervis? I loved him. MR. TAKINS: He believed you. He listened to you better than he did me or his mama. LETA AIDER: She put a spell on him- like some New Orleans voodoo witch. CROWD: Continues to get riled up because of Leta. AL: This can't be happening. This is a bad dream. Gooshie, center me back on Sam. I'll be right back. Sam! Come on! Get up! We're running out of time. Sam? Sam! You can hear me! Damn it, I know you can hear me. Come on! SAM: Groans in response. AL: That's it! That's it! You can do it! Come on, kid. You can do it! SAM: Abigail. AL: Yes! They got Abigail, and they're gonna hang her! They're gonna hang her in nine minutes and 15.3 seconds. You gotta get to the center of town and talk some sense into these people. SAM: Leta Aider. AL: Yeah. She convinced them that Abigail killed that little kid. Now everyone's gone nuts. SAM: How many, Al? AL: Oh, there's 20 to 30 of 'em, mostly women, and they're screaming like it was the Inquisition. SAM: Did Ziggy locate Pervis? AL: No. SAM: But when they find that kid in the morning, I wonder what those townspeople are gonna think of themselves. AL: Sam, you're not stuttering. SAM: As soon as I touched Abigail, Al, it was me. There was nothing left of Will - Just me and Abigail. AL: There's not gonna be anything left of her if you don't get over there. Now hurry up! SAM: Where are they? AL: The center of town. They're gonna hang her from that great big tree. You got eight minutes. SAM: Al, go to her, okay? I don't want her to be all alone. AL: Okay, I will. Go! Go! Go! Will ya? ~*~*~*~*~*~*~ AL: Sam is on the way! ABIGAIL: Bo, Ben, Sarah. You've known me all my life. LETA: They know you're a cold-blooded child killer! We have to put a stop to the murder of our children. LARRY STANTON: Hey! What the hell is goin' on here? ABIGAIL: Mr. Stanton. Please, help me! MR. TAKINS: Stay out of it, Stanton. LARRY STANTON: Have you people lost your mind? Let this girl go! AL: Good! There's someone here with a brain working. MRS. TAKINS: She killed my son. CROWD: Yeah. LARRY STANTON: Your son is lost. Sheriff Loman and the rest of the town out looking for him now. AL: Yeah. That's what the rest of you idiots should be doing! LARRY STANTON: I suggest the rest of you people either come out and help us or go home! 'Cause this isn't gonna help us find the boy. LETA AIDER: They're not gonna find him because she murdered him. ABIGAIL: I did not! LETA: Murdered him and hid the body, just like she did to my Violet. LARRY STANTON: Now, you don't know that. AL: Listen to him. He's right! LARRY STANTON: Now shut up. Stop it! Stop it, all of you! Just stop it! I want you to hand Abigail over to me, or so help me, I'll file attempted murder charges against each and every one of you. CROWD: Can he do that? LARRY STANTON: Cody, give me a hand here. Abigail… Larry Stanton gets hit on his back and he falls to the ground. ABIGAIL: Oh! LETA AIDER: No one's gonna save you now, you witch! TOWNSWOMAN: Let's do it! Let's hang this evil woman! ABIGAIL: No! Will! Will! Will! CROWD: Kill this murderer. AL: Sam! ABIGAIL: Let me go! I'm innocent! Will! While this is going on, Abigail is screaming as they are trying to put a noose around her neck. Sam, who is bleeding from the injury to his head, is stumbling through the town to get to Abigail. When Sam shows up to the crowd, an older man hits in him the gut with the butt of a rifle and Sam falls. He also kicks Sam in his stomach. He raises the rifle above his head to hit Sam, but Sam grabs the gun and wrestles it from him, then hits him squarely on the jaw putting the man to the ground. Sam swings the rifle around at the crowd and they scatter. He goes to Abigail and hits one guy in the gut with the gun then helps Abigail down. AL: Watch out, Sam, behind you! One man tries to step in to grab Sam, but Sam hits the guy twice making him fall. It’s at that point a gunshot rings out causing everyone to stop fighting. Sam puts Abigail squarely behind him. MR. TAKINS: Let her go, Will. Get out of the way. SAM: I can’t. LETA AIDER: You got no choice. AL: The hell he doesn't. SAM: I've got the same choice you do - to commit a murder or not. And I'm not about to let you take the life of an innocent woman. LETA AIDER: She's a murderer! CROWD: (They rave) AL: Prove it! SAM: Let the courts prove it. MRS. TAKINS: That woman is a cold-blooded killer. SAM: She's not a killer and neither are you. MRS. TAKINS: She killed my son. SAM: I say your son's alive. AL: He's alive! SAM: If you hang her and he turns up, how are you gonna live with her murder on your head for the rest of your life? You people aren't murderers. You're good, decent people with families and children. LETA AIDER: Children that she kills. CROWD: (They rave again) SAM: Listen to me! Listen to me! Now, if she's right and Pervis is dead, then we'll turn Abigail over to the state sheriff's office tomorrow for trial. LETA AIDER: What about justice? SAM: That is justice. LETA AIDER: Justice? Like the justice her daddy held over my Violet when he closed the files on her. Only this time, when they don't find that little boy's body, it won't be her daddy who closes the case. But it'll be her husband. AL: Tell 'em to give you five hours. SAM: Listen to me! Give me five hours. Five hours. If we haven't found Pervis, then I'll turn her over to you. ABIGAIL: No, Will! No. AL: Oh, Sam, no. ABIGAIL: Will, in God's name, no! Will! SAM: Listen to me. You've got to trust me. You've got to trust me! LETA AIDER: Kill her! Kill her! Yeah! CROWD: (They rave again) Another gunshot goes off – fired by Mr. Takins. MR. TAKINS: No! We won't kill her. LETA AIDER: She killed your son! She killed him like she killed my Violet. SAM: Your boy's not dead. LETA AIDER: He's lying. You have got to kill her. MR. TAKINS: He's my little boy! And I don't want her murder on my head. You know where my boy is? AL: Uh, Sam, Ziggy's trying to get a perimeter lock on where Pervis was found. SAM: Uh… AL: And if he's anywhere near the location, maybe she can get a heat lock. MR. TAKINS: I'm askin' you where my boy is. AL: Got it! Got it! Send someone to the mill off of Plantation Road. SAM: Send somebody to the mill off Plantation Road. AL: He's there now. SAM: He's there right now. Go now! LETA AIDER: It's a trick! Can't you tell that's a trick? MR. TAKINS: How do you know my boy's there? SAM: If he's there, does it matter? We'll wait right here until you get back. She'll be right here. MRS. TAKINS: Go look, Donny. Please? SEVERAL CROWD MEMBERS: I'll go with you. MRS. TAKINS: You take this. I'll be right back. Leta can’t take it, and she races forward to grab the gun. LETA AIDER: No! No! AL: Sam! Look out! Leta shoots the gun toward Abigail and Abigail and Sam duck and fall to the ground. Mr. Takins comes rushing back over and grabs the gun from Leta, pushing her to the ground. LETA AIDER: No! No! No! She should die! No! SAM: You all right? You okay? ABIGAIL: Yeah. Oh, Will. SAM: They won't hurt you. I promise, they won't hurt you. ABIGAIL: I love you. LETA AIDER: (beating hands on the ground) No! She killed my Violet. She killed my boy. She should die. CROWD: The crowd begins to disperse. AL: It's over. SAM: I don't have a lot of time. ABIGAIL: What are you talking about? SAM: I love you. And no matter what happens or whatever I say in the future, just know that for right now, for this brief moment in time, we belonged to each other. Please know that. I love you. ABIGAIL: (whispers) I love you. They embrace then Sam leaps.
When Sam leaps
in, he’s in a white long sleeved shirt with a tan lapel that’s
unbuttoned. He has on glasses and he’s looking at a newspaper. The
headline reads: President Carter Traveling through Louisiana today.
There are 2 sections to the Baton Rouge Gazette – a total of 28 pages
in the newspaper. All of the surrounding print is about Los Angeles
County.
|
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Personal
Review by M.J. Cogburn: Getting to know Abigail Fuller as an adult is interesting. It seems that the whole family has a history of liking the song Hush Little Baby. Perhaps it is comforting - not sure, but we do know that Abigail is still as headstrong as she was a little girl - perhaps more so, but she knows when she has met her match. Leta Aider is someone that one would usually like to hate. Unfortunately, poor Leta has been dealt a hard blow. Losing her daughter and her husband not long after is hard on a soul. It's no wonder that she put the blame on Abigail - thinking that both her family members were taken so tragically. It's no wonder that she kept pushing for people to kill Abigail. In her mind, Abigail did it. I do wish we had gotten to at least see or meet poor Pervis Takins - the little boy that this episode was all about. They could have shown a picture. After going through these episodes as I did, it's interesting to see the newspapers from a different perspective. They were not about Louisiana. They were about California. I went into detail about them in the script. I do wonder why they didn't take the time to quickly type something up. I'm sure they didn't think that someone would actually stop the show and read the actual articles there. Part 2 of Trilogy is a wild ride - lots of twists and turns. Learning about the curse on the Lanchette family; Sam's love with Abigail; the lost little boy and Leta turned murderous. Wild indeed. |
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Music: "Mockingbird" (A lullaby) – depending on the time in the show, it can be anywhere from sweet and calming to eerie. |
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Sam Trivia: |
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Al's
Outfits: 1) Purple jacket with silver lining Purple and Black shirt Black and gray striped tie Black pants 2) Red suit jacket Dark red and black flowery shirt Matching Tie Red suit pants |
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Ira Zimmerman
of the National Stuttering Project was brought in to assist Scott
Bakula with the stuttering to make sure it was done with dignity. Video of
Stuttering Project
praise:
|
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Progression of Trilogy
Characters - Part II: Violet
Aider: Abagail Fuller: Laura
Blanchette Fuller: Reta
Blanchette: Pervis
Takins: Marie Beth Billings: She worked as the housekeeper for the Fuller family for thirty years. Willis
Gunerson Kinman: Doc
Kinman: Bo
Loman: Laurence (Larry)
Stanton III: |
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A compilation of clips from the originally televised movie-length version of Quantum Leap: Trilogy Part II and Trilogy Part III. |
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Guest
Cast:
Mary
Gordon Murray as Leta Aider |
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Mary Gordon Murray as Leta Aider: Born on November 13, 1953 in Ridgewood, New Jersey, USA. She is an actress, known for Junior (1994), Quantum Leap (1989) and Poison Ivy (1992). Nominated for Broadway's 1982 Tony Award as Best Actress (Musical) for a revival of "Little Me." She was awarded the 1991 Drama-Logue Award for Performance for "The Most Happy Fella" in the 25th Anniversary Season presented by Center Theatre Group/Ahmanson at the James A. Doolittle Theatre (University of California) in Los Angeles, California. Stephen Lee as Sheriff Bo Loman: Born in Englewood New Jersey in 1955. Having lived in Europe the first 15 years of his life, Stephen comes from a "casino" background with his father selling and making slot machines. Stephen started acting when he came to the U.S in 1970 and eventually getting a partial scholarship to Avila College in Kansas City, Missouri.He has appeared in over 200 TV shows, 5 TV series and over 20 pilots. He has also played in 39 movies including: La Bamba (1987), WarGames (1983), Purple Hearts (1984), RoboCop 2 (1990), The Negotiator (1998), Dolls (1986) and many others. He speaks English, German, French and Spanish. His interests include golf, tennis, horseback riding (when time permits) and biking around his Sherman Oaks, CA neighborhood.Other guest staring appearances are NCIS (2003), Fear Itself (2008), Boston Legal (2004) (for which he received critical acclaim), Bones (2005) and 'Til Death (2006) . He is grateful everyday for a roof over his head and hopes for a more prosperous future for himself and everyone who has experienced such hard times. Fran Bennett as Marie Beth Billings: Graduated from the University of Wisconsin with an M.A. and subsequently spent twelve years acting and as voice and movement director with the Guthrie Theater in Minneapolis. Her Broadway debut was a leading role in the short-lived play Mandingo at the Lyceum Theater in 1961. Thereafter, Bennett concentrated on stage acting and education, serving for many years on the faculty of the California Institute of the Arts, latterly as head of acting and director of performance at the CalArts School of Theater (1996-2003). Her credentials included a teaching spell at the London Academy of Music and Dramatic Art (LAMDA) and voice production workshops at several American universities. As an ensemble member of the Los Angeles Women's Shakespeare Company, her dramatis personae tended to be powerful individuals (Othello, King Lear, Oberon, and others). Bennett's screen work has likewise shown a predilection towards sober, resolute authority figures: doctors, judges, head nurses, community leaders and family matriarchs, even a Fleet Admiral on Star Trek: The Next Generation (1987). Her TV debut was as early as 1952 but she did not become prolific in that medium until the late 70s. From then on, she regularly guest-starred in episodes of popular fare, ranging from soapies (The Bold and the Beautiful (1987), Dynasty (1981)) to crime drama (Simon & Simon (1981), Crossing Jordan (2001), NCIS (2003)) and science fiction (The Twilight Zone (1985), Quantum Leap (1989)). The Arkansas native was a 2005 inductee into Arkansas Black Hall of Fame. Her honours have included an NAACP Theatre Award and the inaugural AEA/AFTRA/SAG Diversity Award. Travis Fine as Will Kinman: The writer, producer, director and editor of award-winning independent films, Travis Fine does not shy away from challenging or provocative material. THE SPACE BETWEEN, starring Academy Award winner Melissa Leo, takes audiences on a cross country journey with a young Pakistani boy on September 11, 2001, as he desperately tries to determine the fate of his father. In the 1970s period drama ANY DAY NOW, starring Alan Cumming and Garrett Dillahunt, Fine explores the definition of family as two gay men attempt to adopt a young boy with Down Syndrome. THE SPACE BETWEEN debuted at the Tribeca Film Festival, received a Special Jury Award for Leo's performance, and was purchased by the USA NETWORK and served as special programming for the cable network to commemorate the 10th anniversary of 9/11. ANY DAY NOW received over 20 Audience and Best Picture awards at film festivals all over the world, including Tribeca Film Festival, Chicago International Film Festival, Seattle International Film Festival, and Outfest. The film was also recognized by the prestigious gay rights organization GLAAD with their 2013 Media Award for Best Film. After debuting on just one screen in Tokyo in April 2014, ANY DAY NOW became a cultural phenomenon in Japan, with long lines at the theaters, huge box office numbers, a one plus year theatrical run, and unprecedented media coverage for an indie film. ANY DAY NOW was remade in Korea, and in 2020 its world premiere as a stage musical in Japan. Meg Foster as Laura Fuller: Blue-eyed brunette Meg Foster was born in Reading, Pennsylvania on May 10, 1948 to David and Nancy. She has four siblings and grew up in Rowayton, Connecticut. Foster studied acting at New York's Neighborhood Playhouse.Foster's first role came about in 1969, when she appeared in an episode of NET Playhouse (1964). Throughout the '70s, she guest starred in numerous TV shows including Barnaby Jones (1973), The Six Million Dollar Man (1974), and Hawaii Five-O (1968), and played Hester Prynne, a young woman who has an affair with a pastor, in the miniseries The Scarlet Letter (1979). Foster did not really come to attention until 1982, though, when she replaced Loretta Swit as Christine Cagney in Cagney & Lacey (1981); she herself was later replaced by Sharon Gless (CBS reportedly wanted a more "feminine" actress playing the role of the detective). Foster began to appear in more movies throughout the late '80s, primarily Masters of the Universe (1987), in which she played the nefarious Evil-Lyn. Other notable films include the satirical science fiction flick They Live (1988), the horror sequel Stepfather II: Make Room for Daddy (1989), and the comedic martial arts movie Blind Fury (1989) (Terry O'Quinn also appeared in the latter two). Foster continued to work prolifically throughout the '90s, mostly appearing in science fiction films. She also guest starred in many popular television shows such as Quantum Leap (1989), ER (1994), Star Trek: Deep Space Nine (1993), Murder, She Wrote (1984), and Sliders (1995). After appearing in a 2000 episode of Xena: Warrior Princess (1995), Foster took a decade-long break from the acting industry. She returned in 2011 with roles in indie flicks 25 Hill (2011) and Sebastian (2011), and had a villainous role as a revenge-seeking witch in Rob Zombie's '70s-esque horror movie The Lords of Salem (2012). Additionally, Foster appeared in the TV show The Originals (2013), as well as Pretty Little Liars (2010) and its short-lived spin-off Ravenswood (2013). She re-teamed with Rob Zombie in 2016 for his horror film 31 (2016), in which Foster plays a kidnapped carnival worker. Foster has a son, Christopher, with Ron Starr. At one point, she was married to actor Stephen McHattie. W.K. Stratton as Laurence “Larry” Stanton, III: Born on August 2, 1950 in Front Royal, Virginia, USA. He is an actor, known for Spy Kids 4: All the Time in the World (2011), Shoot 'Em Up (2007) and Machete (2010). He is married to Maureen Denise Lacoste. Appeared in the pilots of four different series created by Donald P. Bellisario: Magnum, P.I. (1980), Airwolf (1984), Quantum Leap (1989) and JAG (1995). Holds the unique distinction for having "flown" (in character) a Corsair, a Viper, and Airwolf. (three aircraft used in Bellasario productions). Melora Hardin as Abagail Fuller: Melora Hardin is an American actress, singer and director from Houston, Texas who is known for playing Jan Levinson from The Office and Trudy Monk from Monk. She also acted in The Rocketeer, 24 Dresses, 17 Again, Hannah Montana: The Movie, Transparent, The Bold Type and The Hot Chick. She had two daughters with Gildart Jackson, a British actor.Was cast as "Jennifer Parker" in Back to the Future (1985) after actress Claudia Wells dropped out of the film during preproduction. Wells had recently filmed a television pilot (Off the Rack (1984) ) that had been picked up by ABC for a six-episode run and the shooting schedules would have conflicted. Melora never shot a single frame of the movie, however; she was let go when Eric Stoltz was replaced by Michael J. Fox as the original Marty McFly because she was considered too tall to be his girlfriend. Wells was then brought back as Marty's girlfriend when her series didn't get picked up by ABC for a full season. She also appeared on several episodes of "The Office" as Jan. Wendy Robie as Ms. Takins: Wendy Robie was in Seattle doing repertory theater when she auditioned for a role in Twin Peaks (1990) (also being filmed in Seattle). Robie auditioned for another role in the series but David Lynch and Mark Frost were determined to cast her as Nadine Hurley, the ferocious and eccentric eye patch-wearing wife of "Big" Ed Hurley, played by Everett McGill. Nadine became one of the oddest of the odd in the series. Attached to the series, McGill and Robie starred in Wes Craven's dark and twisted tale of The People Under the Stairs (1991). They delivered a sinister mother/sister/wife concoction. Ever since, Robie has devoted her talents to the theater. Christopher Curry as Mr. Takins: Born on October 22, 1948 in Grand Rapids, Michigan, USA. He is an actor and writer, known for Sully (2016), Flags of Our Fathers (2006) and City of Ghosts (2002). Beth Peters as Townswoman: Known for Back to School (1986), Quantum Leap (1989) and Hart to Hart (1979). R. Leo Schreiber as Townsman: Known for Clifford (1994), Quantum Leap (1989) and Hard Time on Planet Earth (1989). |
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Guests Who
Appeared in Other Episodes of Quantum Leap: Fran Bennett also played in "Justice." |
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Say What? |
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SAM’S FIRST
THOUGHTS OF THE LEAP: Marie:
I said out! Just take your skinny pale
behind outta here before I call your momma and tell her what
you’ve
been up to! Come on! Get out! Get out! Get… get… get… GET! Get outta
here!
Al: She knows. Sam: I don’t have a lot of
time. Sam: As soon as I touched her, it was me. It was all me. Me and Abagail. Cherlyn Stanton: Hello Sweet cheeks! Come on over here you hot-blooded southern rebel and melt me down! Tonight, Laurence Stanton the third, I am Jane Fonda in Butterfield 8! |
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Best
Lines: What matters is that you ARE Sam Beckett! That’s the reason you got this crazy job! Sam’s Best Line: |
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Who’s Obsessed Scene: Sam:
How did I get back
here?… Marie and Abagail – Abagail all grown up… in the house… the
house that was on fire. I changed history. She’s alive. She’s alive.
Abagail is alive. Wait… there was a fire and a window and she gout out
and I didn’t. But… I’m… alive. I’m alive and I’m here as Will Kinman
but why… why am I back here this is not making any sense at all. Family heritage: Laura: They all died. Not Fair: Sam: Why do you think I’m
really here? |
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Awards: Michael Watkins received an Emmy nomination for Outstanding Individual Achievement in Cinematography for a Series in 1993. |
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Theme by: Mike Post Executive Producer: Donald
P. Bellisario Panaflex ® Camera and
Lenses by: Panavision ® |
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Podcasts: Cue the harmonicas and twangy guitars, it’s time for Trilogy Part 2! Join hosts Allison Pregler, Matt Dale and Christopher DeFilippis as they learn that even heroes are human in Sam’s increasingly problematic adventures in the life of Abagail Fuller. Is it an epic star-crossed romance, or just plain wrong? Listen to The Quantum Leap Podcast on this episode here: Warning: This episode of the podcast contains frank discussion of rape, consent and sexual situations; listener discretion is advised. Also, no Velton Ray Bunches were harmed in the making of this episode. Let us know what you think… Leave us a voicemail by calling (707)847-6682. Send in your thoughts, theories and feedback, Send MP3s & Email to quantumleappodcast@gmail.com. Also join us on Facebook.com/QuantumLeapPodcast and Twitter.com/QuantumLeapPod |
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