|
Screencaps Click to enlarge |
4x19 "Moments to Live" | |
|
. . |
|
Leap
Date: |
||
Episode
Adopted by: MikeKraken & Dave Korman Additional info provided by: Brian Greene |
||
Teaser: Much like the book "Misery", Sam leaps into the life of a famous soap opera star who gets kidnapped by an obsessed fan and her husband. The woman wants Sam to father her child and plans to keep him hostage until he agrees! |
||
Audio from this episode: Norma Jean: Don't say that! |
||
Episode Menu |
||
TV Guide Synopsis Place Leap Date Name of the Person Leaped Into Broadcast Date Synopsis & Review Music Project Trivia Al Trivia Al's Women Al's Outfits Worn in the Episode Miscellaneous Trivia Bloopers Guest Stars Guest Cast Notes Say What? Quotable Quotes Best Scene Production Credits Podcasts |
||
Production # 67325 | ||
TV Guide
Teaser: |
||
Place: Los Angeles, California |
||
Leap Date: May 4, 1985 |
||
Name of the
Person Leaped Into: Kyle Hart, who has been playing Dr. Craig Connor on the daytime drama, "Moments to Live", for the past three years. |
||
Broadcast Date: April 8, 1992 - Wednesday |
||
Sam
leaps in and finds himself in a hospital, with a female patient who is
dying. A nurse tells him to do something. Sam takes her chart and looks
at it as fast as he can. The monitor flatlines and the nurse says she's
gone. The woman's husband throws him up against the wall and says it's
his fault. "You bastard, you murdered my wife!" Sam groans, "Oh, Boy."
After
the opening theme, Sam tells her husband that he can still save her.
Everyone seems confused. As he starts trying to perform CPR, the woman
he is trying to save starts kissing him! The
director yells, "cut!" It's a TV show! He's leaped into soap opera star
Kyle Hart, and his director is not happy with him. Sam's agent comes in
and takes the heat off his client. Sam learns that he is in every scene
and that he has a lunch date with a fan named Norma Jean, who won the
date in a contest from a soap Al
appears, walking through the set. Al is typically enthused with the
person Sam has leaped Into. Sam less so. Al sees the beautiful nurse. "Gee, suddenly, I feel kinda sick." Sam replies, "Come here... Would you get over here? Quit fooling around!" Al remarks, "I think I need some intensive care." Al finally gives him the rundown of the leap. The show Sam stars in is called “Moments To Live”. But he has no idea why Sam is there. Al explains, "Ziggy had a new data search component installed, and we had to have it shipped in from Hong Kong, and I think that gave a little jet lag to the modem of the floppy disk." Sam smirks, "Why do you make this stuff up all the time? Why don't you just say to me, 'Sam, we don't know.'? Why don't you just do that for once instead of making it up all the time?" Al fires back, "Well, that wouldn't be any fun." Sam says, "I have to go and lunch with some woman who won this soap-detergent contest." Al quips, "Well, you can look at it this way: at least you know she'll be clean!" Sam
is having lunch with Norma Jean, who seems to confuse fiction for
reality. She's been planning this for a while, having entered the
contest over three hundred times. Norma Jean says to the waitress, "People often mistake me for Sally Field". The waitress looks at her and replies: "I don't see it." Lunch
gets interrupted by a fan, who wants a picture. This seems to annoy
Norma. She's asked to take the picture and “accidentally” drops her
camera in the soup. Norma and Sam leave the restaurant. Norma goes to powder her nose. Al appears to let him know that in the real history, Kyle never showed up for work. We know why soon enough when Norma shows back up and points a gun at him. He's forced into a van, and driven off, while Al watches in a panic.We meet Hank, Whose driving the car. Sam tells him that eventually someone will notice he's gone. Sam wants to know what's going on… Is he being ransomed? Norma wont tell him. Hank is cranky and isn't very happy when he finds out that Sam knows his name. They stop at a diner to eat breakfast. Sam is wearing a hat to disguise his identity. Norma describes a scene from the show, with Kyle dancing to a song, believing it really happened. Sam tries to convince her that he isn't really Kyle. He finds out that they are taking him to see Norma Jean's mother. Sam tries to attract the attention of the waitress, and she seems to recognize him, but enough to save him. Al appears, and Sam insists to his captors that he needs to go to the bathroom. Sam says he's been in bad situations before but this takes the cake. Al tells him that all they know is that Kyle disappeared for two weeks. He was found in the woods, with a shotgun wound in the head and no memory of what happened. Sam yells that he needs to get away from these people. But Al tells him if he tries to escape, there is an 84% chance he will get killed. Sam puts his hopes in Norma's mother helping him, while Al goes back to check with Ziggy. He starts to write a note for help on the bathroom mirror, but is interrupted by Hank, so he is forced to erase it. They get to Norma's house and Sam meets her mother, Millie. She is in a power wheelchair and spinning in circles. Norma Jean says, "You feel asleep on your control stick again." Millie replies: "Oh, thank God. I dreamed I was caught in a tornada!" Any hopes of her helping him are dashed quickly when it's clear she's not all mentally there due to having a stroke. Norma tells her mom to hold a gun on him while she leaves for a moment, and Millie complies. Through his conversation with her, he realizes that Norma Jean wants to have a baby with him. Hank can't give that to her. He doesn't take this news well, starts to have a panic attack and Norma knocks him out with a frying pan! Sam wakes up chained to a bed, similar to the book/film Misery. Norma gives him breakfast and tea. Sam tries to talk her out of this course of action, but there's no reasoning with her. She reveals a violent streak before leaving after Sam says this is crazy. "Don't say that! Don't you ever say that!" Al appears, and reveals that Norma was confined to a state-run mental health facility. Millie is not really her mother. She was her roommate at the psychiatric hospital. Al goes to run scenarios and hopes to increase Sam's odds of escaping with out dying. Blindfolded, Sam is brought to a romantic dinner. Norma Jean puts on some music, and they start to dance. Hank is in the corner, watching. He asks them to stop and reads off some rules for Sam and Norma Jean to follow, which greatly upsets her. She declares that Hank ruins everything. She says he can't do it now and leaves the room. Al appears and tells him that right now is the best time to escape. Sam jumps through the window and takes off running. He's heading for the phone booth as Hank takes off after him. Sam makes a phone call to the operator, trying to get the police. He doesn't get long to talk before Hank blows up the phone with his shotgun. Sam is returned to bed. Al tells him that in the military, he was taught to identify weaknesses. Sam asks what are the weaknesses here? Hank appears, and Al tells him he needs to get inside his head. Hank talks about the first time they met, which was at church. She was cleaning it, and he was robbing it. Sam tells him that Norma has lost all sense of reality. Hank starts to get hostile and points the shotgun at him. Sam says if he pulls that trigger he'll be killing his wife too. Sam convinces Hank to help him, and by doing so, help her. Hank plays dead and Norma Jean asks for Sam's help. He says he needs to operate on Hank and prepares to cut into him. She comes back to reality over this and tells Sam to stop. She says she knows he's not a real doctor. This was Sam and Hank's plan. Hank wakes up, with Norma Jean reacting badly when she realizes she's been set up. Norma Jean cries and leaves the house. Al tells Sam that Norma Jean is going to kill herself. Sam knocks Hank out and goes to the bridge down the road. Sam talks to Norma Jean, who is preparing to jump from the bridge into the river below. Her emotions and trauma flood to the surface. Sam talks her off the ledge. He holds her and reassures her everything will be okay as Norma Jean cries. The police arrive at the scene. An officer gets Sam/Kyle's autograph before they take Sam's captors away. Al tells Sam that Hank gets six years in prison, and then opens up a shop near the hospital that Norma Jean is sent to. Hank And Norma end up together in the end. Sam's agent drives up, happy to see him alive. After they speak for a moment, his agent comes up with an idea for incorporating this ordeal into the soap opera! Sam remarks to Al, "He wants to take what happened here and put it on the show. Is that ethical? That can't be ethical." Al replies, "No, it's television." Sam leaps! Synopsis by Dave Korman. Edited with additions by Brian Greene. |
||
Personal
Review & Synopsis by MikeKraken: "You mean it's your evil twin's baby, not yours?" Sam has leaped into the star of a soap opera, Kyle Hart, who is the heart-throb of housewives the country over. However, Norma Jean Pilcher, the winner of a detergent contest to win a date with Kyle, has other ideas about who's going to be having a baby. Not necessarily one of my favourite episodes, but one of the great ones nonetheless. It definitely focusses on the lighter side of things, with satire regarding soap operas, as well as people who watch television and believe what they see is real. There are many jokes cracked, and though there is a serious side to the episode, it doesn't last too long and is quickly resolved. It's a happy ending; a really feel-good episode. |
||
Music: Piano music at the lunch scene between Sam and Norma Jean. Norma Jean plays "All I Have to Do Is Dream" by the Everly Brothers, trying to evoke memories from Kyle of a scene from "Moments to Live" at the diner and in the bedroom at Millie's house. |
||
Project Trivia: Handlink: Gummy Bear |
||
Al Trivia: Al watched soap operas, or as he prefers, "daytime drama"s, when he was down with the flu (at the reccomendation of Tina). Al
never uses the Imaging Chamber Door. |
||
Al's
Women: Tina is mentioned as well. |
||
Al's Outfits
Worn in the Episode: First through fourth appearances: Red suit coat; black pants; red, black, and white patterened shirt; string tie with silver, triangular buckle; circular pendant on left breast; unlit cigar; watch with black band. Fifth and sixth appearance: Purple jacket with gold linings; black pants; turqouise dress shirt; black tie with polka specks; lit cigar. |
||
Miscellaneous Trivia: The scene on the bridge was filmed on the collapsing bridge at Universal Studios Hollywood, and can be visited on the Studio Tour. Matthew Ashford played Jack Deveraux on "Days of Our Lives" beginning in 1987, as well as other characters on various soap operas: "One Life to Live" (1982-1983), "Search for Tomorrow" (1984-1986), "General Hospital" (1995-1997). This episode is inspired by Stephen King's Misery.
|
||
Bloopers: Modem of the floppy disk? Bloopers:
Dr Hunk... Bloopers: It's Television... |
||
Regular Cast: Scott Bakula as Sam Beckett Dean Stockwell as Al Calavicci |
||
Guest Starring: Kathleen Wilhoite as Norma Jean Bates Pilcher Pruitt Taylor Vince as Hank Pilcher Frances Bay as Mildred "Millie" Reynolds Brian George as Ben (Kyle Hart's agent) Matthew Ashford as TV Husband Ellen Gerstein as Woman James Gleason as Roger Krista Mione (Tesreau) as Nurse Kidman Julie Lloyd as Waitress Mark Fauser as Policeman Richard Merson as Vendor Patrick Lowe as Kyle Hart (Mirror Image) |
||
Kathleen Wilhoite as Norma Jean Bates Pilcher: Born in Santa Barbara, California on June 29, 1964, almond-eyed Kathleen Wilhoite grew up there and began singing in her church choir from the first grade. Two years later, she was performing on stage, as part of a back-up choir, with The Carpenters, at the Santa Barbara County Bowl. All the while, she studied piano and songwriting and appeared in her high school's theater productions, such as "The House of Blue Leaves". Kathleen wrote and sang as one of the "Boogie Woogie Bugle Girls", a harmony group inspired by The Andrews Sisters. She also became the youngest member of the Santa Barbara Songwriters Guild (age 16). After high school, Kathleen elected to pursue an acting career, as opposed to music, and enrolled at the USC Drama School. Just a couple of months later, she landed her first movie role in Private School (1983). Throughout the 1980s, she appeared in a number of film and TV projects as both leads and second leads where her brash sexuality and quirky, unconventional style was eagerly put on display. She appeared noticeably opposite Charles Bronson in Murphy's Law (1986), Jane Fonda in The Morning After (1986), Robert De Niro in Angel Heart (1987), Amy Irving in Crossing Delancey (1988), Patrick Swayze in Road House (1989), and Debra Winger and Nick Nolte in Everybody Wins (1990), and Susan Sarandon and Nolte in Lorenzo's Oil (1992). Kathleen appeared on many of the popular series of the 80's and '90s including "AfterMASH," "Family Ties," "The Jeffersons," "Cagney & Lacey" and "Fame," "Cop Rock," "Twin Peaks," "Quantum Leap," "Mad About You," "Ally McBeal" and "Family Law." While her acting career flourished, she continued to expand her music skills but was dealt with a few setbacks, including a contract with Mercury Records that fell through. After a brief sojourn to Texas to refocus intently on her music, Kathleen returned to the Hollywood rat race and eased back in as a "working actress". A variety of offbeat roles in such movies as Nurse Betty (2000) and Pay It Forward (2000) has kept her name active on the credits list for over two decades. She landed a number of challenging roles, including a recurring roles on the law series L.A. Law (1986) as intellectually disabled assistant Benny's Adhipathi (1990) likewise girlfriend Rosalie, and the medical series ER (1994) as troubled, substance abuser Chloe Lewis. In the late 1980s, Kathleen was chosen by cartoonist Cathy Guisewite to give vocal life to her creation Cathy (1987) in a series of TV movies. Wilhoite later voiced another cartoon creation, Sue Rose's Pepper Ann (1997) in an animated TV series. Into the millennium, Kathleen's on-camera featured work included the films Nurse Betty (2000), Pay It Forward (2000), Quicksand (2003), Perfect Opposites (2004), Firecracker (2005), Winged Creatures (2008), Seeking Justice (2011), Crazy Kind of Love (2013) and The Ride (2018). In addition to a recurring role on Gilmore Girls (2000), she had guest parts on "Touched by an Angel," "24," "Boomtown," "Will & Grace," "Charmed," "The Ghost Whisperer," "Boston Legal," "Criminal Minds," "Grey's Anatomy," "Battle Creek," "The OA" and "Yellowstone." Married to record producer/drummer David Harte and the mother of three children, Kathleen was signed by her husband to his "The Daves" record label (the other "Dave" is booking agent David Surnow) and released two CDS - "Pitch Like a Girl" (1997) and "Shiva" (2000). In sync with both her edgy acting and music style, she wrote and performed an autobiographical one-woman show, "Stop Yellin'," directed by Kathy Najimy, in which she sings her own music and performs monologues. Pruitt Taylor Vince as Hank Pilcher: Pruitt can next be seen starring as a series regular in the Apple TV+ series Lady in the Lake, opposite Natalie Portman. Other television work includes recurring in Netflix's Stranger Things, Marvel's Agents of S.H.I.E.L.D., NBC's Heroes Reborn, True Blood, The Walking Dead, The Mentalist, and Murder One (for which he won an Emmy). On the film side, Pruitt has held prominent roles in Netflix's Bird Box opposite Sandra Bullock and The Life and Death of John Gotti opposite John Travolta. SPOILER WARNING for the movie Identity in this clip featuring Pruitt Taylor and John Cusack: Frances Bay as
Mildred "Millie" Reynolds: Cute,
tiny, and prolific little old lady character actress Frances Bay worked
constantly in both films and TV shows alike after making her debut at
the age of 59 in life with a small part in the comedy Foul Play (1978)
in 1978. She frequently portrayed eccentric elderly women and
good-hearted grandmothers in all kinds of pictures and television
programs. Frances acted several times for David Lynch: she's Kyle
MacLachlan's sweet doddery aunt in Blue Velvet (1986), a gruff, profane
whorehouse madam in Wild at Heart (1990), and the spooky Mrs. Tremond
in the cult TV series Twin Peaks (1990) and its spin-off feature Twin
Peaks: Fire Walk with Me (1992). Frances popped up in two movies for
director Stuart Gordon: she's a kind witch in The Pit and the Pendulum
(1991) and a fortune teller in Edmond (2005). Other notable film roles
include a snippy librarian in The Attic (1980), a mysterious blind nun
in the offbeat Nomads (1986), another librarian in In the Mouth of
Madness (1994), and Adam Sandler's loving grandmother in the hit comedy
Happy Gilmore (1996). Frances had the unique distinction of guesting on
the final episodes of the TV shows Happy Days (1974), Who's the Boss?
(1984), and Seinfeld (1989). Among the many TV series Bay had guest
spots on are Charmed (1998), ER (1994), Matlock (1986), The X-Files
(1993), Murder, She Wrote (1984), The Commish (1991), L.A. Law (1986),
Hill Street Blues (1981), Touched by an Angel (1994), The Golden Girls
(1985), and Amazing Stories (1985). She won a Gemini Award for her
performance in the Disney TV program Avonlea (1990). Frances was also
in the music video for Jimmy Fallon's "Idiot Boyfriend." In addition to
her substantial movie and TV credits, Bay also acted in both
Off-Broadway stage productions and regional theater; these plays
include "Finnegan's Wake," "Grease," "Genuis," "The Caucasion Chalk
Circle," "Number Our Days," "Uncommon Women," "Sarcophagus," and "The
Pleasure of His Company." Frances won two DramaLogue Awards and was
nominated for a Los Angeles Dramatic Critics' Award. In 2002 Bay was
the unfortunate victim of an automobile accident which resulted in
having part of her right leg amputated. Her husband Charles sadly died
in 2002 as well. In real life Frances Bay was a very practical and
unassuming woman with an avid love for jazz music. Born January 23,
1919 in Mannville, Alberta, Canada. Died September 15, 2011 in Tarzana,
Los Angeles, California, USA. Ellen Gerstein as Woman:
Ellen
has been an actress for many years, she was honored with the Robert
Prosky Character Actor Award. She was recently seen in the feature
Venom and soon to be seen in the upcoming feature Dead of Night. You
may have seen her in Treasure of The Black Jaguar and Swelter. In such
television shows as Law & Order True Crime: The Menendez Brothers,
Fresh Off the Boat, and recurring on Shameless, as well Southland,
Friends, and Seinfeld to name a few. Winning awards for best actress in
the short films Passage and Firm with Purpose both on the festival
circuit and she appears as a lead in the feature The Golden Age. She's
done numerous films and has worked with incredible people like Danny
DeVito, Lainie Kazan, Robert DeNiro, Kathy Bates, Cuba Gooding, Jason
Bateman, Ted Danson, Martin Scorcese, Paul Schraeder, Rob Marshall, and
Mimi Leder to name a few. Ellen directed and acted in her international
award winning short film, Come Away with Me, winning over 30 festival
awards worldwide. She also wrote and produced the original song "Come
Away with Me Tonight" for the film. Ellen wrote, produced, and directed
the international award winning short film Waiting for Ronald. A
34-year-old mentally challenged man leaves the institution where he has
spent most of his years to start a new life. She cast actors with
disabilities along with non-challenged actors and had incredible
success. It is being developed into a TV series, Just South of Normal.
She created and stars in the popular and hysterical web series Sylvia's
Just Sayin'. Ellen has acted in, as well as produced and directed
theater in LA. She co-wrote and co-produced Club Disco and created the
character, Angie, an interactive play at the Llillian theater. Ellen
has worked with incredible people like Danny Divito, Lainie Kazan,
Robert DeNiro, Kathy Bates, Jason Bateman,Ted Danson, Martin Scorcese,
Paul Schraeder, Rob Marshall, and Mimi Leder to name a few. Ellen has
acted in, as well as produced and directed theater in LA. Including her
award winning one-woman show, My Psychotherapy Comeback Tour, a
semi-finalist in the Samuel French Short Play Festival. Performed in LA
and New York. She originated characters including: Ruthie in Potroast
at the Actors Gang; Shirley in Sit and Shiver, a play by Steven
Berkoff, at the Odyssey; Rosalie in the play Angel Share at the
Tiffany, with Paula Prentiss. She co-wrote, co-produced and originated
the character Angie in the long running interactive play Club Disco.
Ellen is a member of Women in Film, The Alliance of Women Directors. As
well as a life member and on the audition committee of the Actors
Studio and an audition judge. Somewhere along the line Ellen received a
Graduate Degree in Psychology, so she does not have to pay for therapy,
she can just talk to herself. |
||
Does Sam really not notice a full film crew around him as he leaps into the hospital setting? The
magazine reads, "Kyle Hart",
but the credits call him "Lyle". Kyle's
agent also calls him Lyle. (The original script had him named Lyle.) |
||
Quotable Quotes: |
||
Best Line: Al: "Well, you can look at it this way: at least you konw she'll be clean!" |
||
Best Scene: My favorite scene must be the very first one. Sam leaps in, thinking that he's a real doctor, and then the interplay with Al is classic in this episode. It really sets the mood for this episode that sits high in the humor category. |
||
Theme by: Mike Post Panaflex ® Camera and Lenses by: Panavision ® |
||
Podcasts: Cue the daytime drama music, it’s time for Moments to Live! Tune in with hosts Allison Pregler, Christopher DeFilippis and Raul Dale, as Sam Leaps into the hottest soap star on TV – just in time to get kidnapped by a crazed fan! Listen to The Quantum Leap Podcast on this episode here: This thrilling installment of the QLP features mystery! Intrigue! Teddy Boys! Join us, won’t you? Let us know what you think… Leave us a voicemail by calling (707)847-6682. Send in your thoughts, theories and feedback, Send MP3s & Email to quantumleappodcast@gmail.com. Also join us on Facebook.com/QuantumLeapPodcast and Twitter.com/QuantumLeapPod
|
||
Back to top | ||