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More by Matt Dale |
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"A Final Noble Act" |
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Episode
Adopted by: Matt Dale Information from Beyond The Mirror Image |
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Teaser: Sam is in Hawkins Home for Senior Citizens, a retirement home that is due to burn down the following night. He must fight not only to prevent the fire but to be taken seriously by his family, friends and the staff. |
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Place Leap Date Name of the Person Leaped Into Synopsis Script Review Project Trivia Sam Trivia Al Trivia Miscellaneous Trivia Say What? Quotable Quotes Production Credits |
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Production
# 2x00b - UNPRODUCED EPISODE |
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PLOT SYNOPSIS BY KELLEY MILES Sam arrives to find himself sat in a wheelchair, with his hands
limply in his lap. Rosalind Hawkins sits opposite him and Rachel
Burkowitz next to him. Rachel is negotiating with Rosalind for the
payment of bills for her father’s – Sam’s – residency. Sam speaks,
which shocks Rachel who has not heard her father speak for some
time. Later an orderly, Victor, pushes Sam to his room and tells him that
its almost “nappie time”. Rachel tearfully expresses joy at Sam’s
ability to speak, but leaves to get back to work. He is left with
fellow resident Burt Crossman, who identifies Sam as Noble
Burkowitz and expresses concern about their neighbour Gracie
Davison. Burt explains that Noble arrived in 1972 with his wife
Claire, who passed away, leading to the onset of Alzheimer’s. Al
arrives, and fills in some blanks, telling Sam that he hasn’t spoken
for over 16 months. Burt talks about other residents and makes it
clear he does not like the manager, Rosalind, or her lawyer son.
Victor returns, this time with a Nurse, Juliet, who repeats that it’s
“nappie time”. Burt leaves, closely followed by Al when he realises
that it’s time for Sam to have his diaper changed. Later, in the TV room, a number of the residents watch Days of
Our Lives. Burt enters, presenting a standing Sam for their friends’
reactions (which is somewhat understated). Libby Wilde comes in
behind them with her great-grandson, who then leaves. Libby is
somehow able to see Sam for who he really is. Soon after, Al
returns to tell Sam his mission: Saving the residents of Hawkins
from an arson attack that is due to kill them all the following night
which Rosalind and her son are convicted of. This doesn’t make
sense to Sam, as the home is clearly lucrative for them. Al explains
that the residents’ life insurance policies have been signed over,
and they stand to earn over two million dollars from the deaths. At the dining room, Sam sits eating with Gracie and the others as
they discuss the contents of the soup – and the events on The
Waltons. Sam presses and is able to find out that the life insurance
policies were signed over voluntarily, on the promise that Rosalind
would sink the funds back into the home so the others could
benefit. Later that night Sam and Al bemoan the residents’ unquestioning
support of Rosalind, and Sam goes to bed. A little later, Sam is
awoken by sobbing, and he goes to find Gracie, who is sat
whimpering on the floor. She talks about half-memories of a
beautiful little boy; Sam finds a photo of a man in his thirties, and
he asks Gracie if that’s him, but she recoils and exclaims that it’s
not. He finds another photo, with the words ‘Steven, Age 10,
Summer 1945’ handwritten on the back. This one, she
recognises. Just then, Libby arrives and asks who Sam is. Soon after, Sam and Libby talk in his room. Libby admits she
wondered if he was a demonic possession, but was impressed by
what he did for Gracie. She shares some of her own background,
and says that now she believes Sam is an angel. He tries to
correct her, and shares the information about the fire. The following day, Sam and Rachel meet again with Rosalind, this
time with her son. He tries to have Sam list his assets, which Sam
refuses to do – Rachel, struggling financially, tries to encourage
him to work with the Hawkins family. Rosalind and her son Robert
explain that signing over life insurance works out best for all the
residents, who receive low cost care on the basis that they will
‘pay’ after they pass away. A little later, Sam looks for Libby, and finds her in the Rec Room.
He helps Diane set up for her exercise class and then meets Libby
and suggests they take a walk. They end up back at his room,
where he tries to call the police, but Libby explains that all calls go
through the receptionist. He tries anyway, but the receptionist says
she needs to check with Rosalind first. Sam and Libby leave on
foot instead, and run for a bus – Victor spots them and chases,
but misses them by moments. At the police station, Sam bemoans having had to wait for over an
hour. Eventually they are shown into an office… where Rosalind
and Victor are waiting to take them back, having reported them as
runaways. Sam resists, leading to a struggle which ends when
Victor sedates him. Hours later, Sam is woken by Al, banging on a holographic steel pot. Sam sneaks around the home and gets to the Rec Room, where he finds Libby… who is well prepared, with a collection of fire extinguishers. They hear a noise and go to the kitchen where they find stoves that have been left on. They also find Gracie’s son Stevie Hawkins, who blames Diane for the idea, as a way to try and get Gracie’s money in inheritance before she gave it all away to charities. Other residents, woken by the commotion, arrive – Gracie sees Stevie and pronounces “That’s not Stevie you know. My Stevie is dead.” Libby asks Sam to “put in a good word upstairs for this old woman”. Sam smiles, telling her “I don’t see any old woman”. And he leaps. |
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Review by Matt Dale: It’s a real surprise that it took Quantum Leap until season five (Star Light, Star Bright) to tackle old age and the way we treat our elders. This story would have been a nice, and cost effective (very small number of sets and characters) way of exploring the issues much earlier on. Still, it’s a fairly pedestrian story and no great loss to the overall onscreen canon, but it’s easy to imagine the likes of Frances Bay and Eric Christmas would have breathed charming life into the supporting characters. |
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Sam
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Al
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This is an unproduced episode considered for production during season two. There is no clear indiciation where this might fit chronologically, however we choose to assume that for Sam it might take place immediately after Miles’ other script, My Brother’s Keeper. |
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Say What? How does Sam know that Golden Years Convalescent Rest Home isn’t a nice place? What happens after Sam leaves and Noble goes back to being mute? |
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Quotable
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Written by:
Kelley Miles |
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